Panasonic today announced the launch of the HDC-Z10000 -a Full-HD, Twin-Lens handheld camcorder aimed at filmmakers looking to capture broadcast quality 2D or 3D images. Tweet The camera will offer…
In yet another boost to film production in Scotland, LevelK/Synchronicity Films today confirmed the signing of Juliette Lewis (Due Date, Natural Born Killers, Cape Fear) to Justin Molotnikov’s upcoming feature BLOOD OR WATER.…
In the cast of hundreds that it takes to make a movie, the first assistant director has a pivotal role. Here, the experienced first AD of films including STAR TREK, SUPER 8 and the up-coming JOHN CARTER…
London-born film and television editor Colin Goudie has just finished working on the independent British sci-fi film MONSTERS, and we caught up with him to discuss the differences between cutting for the big and small…
Love it or hate it, SPARTACUS: Blood and Sand, is like nothing you’ve seen before—on the small screen, at least. The success of the original series spawned a prequel Spartacus: Gods of the Arena and inevitably, a sequel Spartacus:…
As Nicolas Winding Refn’s hotly-anticipated thriller DRIVE revs its engines, production designer Beth Mickle reveals how she created the film’s adrenaline-fuelled visual style.…
In movieScope #17, industry analyst Michael Gubbins examined the impact of digital technology on filmmaking and post-production.…
BAFTA-nominated titles designers Nic Benns and Miki Kato of Momoco take us behind the the art of creating eye-catching opening credits.…
Novelist and screenwriter Neil Cross has created one 2010′s most memorable TV characters in DCI John Luther. Here he explains how he turned a passionate pitch into the BBC’s dark cop drama LUTHER.…
Albert Maysles whom Jean-Luc Godard described as “the best American cameraman” and The New York Times called the “dean of documentary filmmakers”, will be the recipient of Outstanding Achievements in Documentary Award at Plus Camerimage…
