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Home » Entries posted by Mick Southworth and Martin McCabe

The Third Screen – The Role of Home Entertainment in future Distribution Models

The Third Screen - the role that home entertainment will play in future distribution models—and how independents can benefit.…

February 24, 2013 / No Comment / Read More

No Such Thing As a Free Launch?

Why the endless festivities of the Cannes Film Festival have a serious role to play in the global film market…

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They’re Playing Our Song

Mick Southworth and Martin McCabe examine cinema’s enduring relationship with the music biopic.…

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Horror: An Essential Genre

Distribution experts Mick Southworth and Martin McCabe present their celebration of horror cinema as a democratic breeding ground for exceptional filmmaking talent.…

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Three Steps to Heaven? Part Two

Mick Southworth and Martin McCabe present the second instalment in their three-part guide to making and selling an independent film.…

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Acting Up – Why distributors can no longer rely on old-school star power to sell a movie.

Question: How many actors does it take to change a light bulb? Answer: 2231. That’s one actor to change the light bulb and 2230 to stand at the bottom of the ladder bitterly lamenting, ‘That…

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Curiouser And Curiouser – The case of the shrinking theatrical release window

Disney’s announcement [in 2010] that it was to release its blockbuster 3D feature ALICE IN WONDERLAND to Blu-ray and DVD just 12 weeks after theatrical release-down from the established 17 weeks-set off a veritable tumult of…

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Three Steps to Heaven? Part One

Distribution experts Mick Southworth and Martin McCabe present the first instalment of their three-part guide to conceiving, making and selling a truly independent film.…

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Life’s a Beach – an insider’s guide to working the Cannes Film Festival

Distribution experts Mick Southworth and Martin McCabe present their insiders guide to making the Cannes Film Festival market work for you……

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What… No Ad Break?

Distribution experts Mick Southworth and Martin McCabe examine the trend of adapting TV shows for the cinema—and why it’s nothing new……

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