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Ridley Scott’s Exodus Comments Highlight Hollywood’s Diversity Problem

Ridley Scott’s new movie Exodus: Gods and Kings is coming under an increasing amount of fire for its apparent white-washing of Middle Eastern history, and the director’s recent comments are…

November 27, 2014 / No Comment / Read More

Interstellar – Review

"When a film is as ambitious, intelligent and moving as Interstellar, you can't help but be awed," says Nikki Baughan…

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Producer Gale Anne Hurd Interview: Never Take No For An Answer

Producer Gale Anne Hurd (The Terminator, Aliens, The Walking Dead), who is to receive the Producers Guild of America’s 2015 David O. Selznick Achievement Award in Motion Pictures, talks to us about building a successful career on both…

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The Double – Review

Richard Ayoade's The Double, which stars Jesse Eisenberg as a man suffering the ultimate identity crisis, is both 'stylish and memorable' says NikkI Baughan…

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Rise of the Machine

Young producer John Giwa-Amu’s low-budget sci-fi thriller The Machine, in which programmers strive to create self-aware artificial intelligence, is setting the indie filmmaking world alight. Here, he talks us through the challenging journey to bring…

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Only Lovers Left Alive

Jim Jarmusch's Only Lovers Left Alive 'resurrects the vampire as an entirely adult anti-hero' says Nikki Baughan…

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Big Bad Wolves – Review

Big Bad Wolves is 'a beautifully crafted, morally ambiguous fairy tale for the modern age, from two refreshing new voices in Israeli cinema,' says Nikki Baughan…

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Warp Films’ Mark Herbert On 10 Years Of Independent Filmmaking

In celebration of the release of the limited edition WarpFilms10 Book & DVD set, we grab an exclusive chat with company head and producer Mark Herbert…

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Behind the Scenes of Gravity With Editor Mark Sanger

Gravity editor Mark Sanger takes us behind the scenes of the four-year journey to make the movie, the importance of authenticity and the challenges of editing in deep space...…

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The Realities of Video on Demand

Three VoD experts discuss the financial realities of on-demand distribution, and whether it's a sustainable business model for the future of film…

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