Briony Hanson, director of film at the British Council, explains why the Oscars and Cannes hold a mirror up to gender inequality in the industry…
Industry analyst Michael Gubbins explores why any successful film education programme requires a much higher level of audience participation.…
Industry analyst Michael Gubbins explores the way in which video on demand could make art-house cinema accessible to the masses.…
Industry analyst Michael Gubbins explores the recent cross-media explosion, and contemplates what the future could—and should—hold for transmedia projects.…
Industry analyst Michael Gubbins explores the reasons why some are still reluctant to fully embrace digital opportunities. For all the evident caveats, 2011 ended with an air of cautious optimism in many parts of the…
Industry analyst Mike Gubbins investigates why the digital revolution has yet to benefit independent film, and what should be done to redress the balance.…
Industry analyst Michael Gubbins explains why the huge gap between filmmaking and distribution is threatening to swallow the industry’s chance for real change.…
“I am big. It’s the pictures that got small.” It’s taken 60 years, but the movies have delivered a $2bn riposte to Norma Desmond’s famous put down in SUNSET BOULEVARD. The pictures have been getting much…
In movieScope #17, industry analyst Michael Gubbins examined the impact of digital technology on filmmaking and post-production.…
As the summer season begins, industry analyst Michael Gubbins warns of the dangers of placing too many eggs in the blockbuster basket……
