Film critic and author Mark Kermode explains why 3D filmmaking is nothing new, and how it is destined to remain part of cinema’s history rather than its future.…
Director Todd Haynes reveals why making Mildred Pierce for HBO gave him such exhilarating creative freedom, and why the small screen is offering exciting opportunities to big-screen talent.…
As co-founder of Vertigo and producer of many of the UK’s recent indie hits, Allan Niblo tells us why it’s never been a better time for British filmmaking……
Having started out as an actor in films like The Experiment and Recalled, Jason Lew turns his attention to screenwriting with the recently released Restless. And, as he explains, watching Gus Van Sant turn your…
Industry analyst Mike Gubbins investigates why the digital revolution has yet to benefit independent film, and what should be done to redress the balance.…
When he’s not working as a compositor on features like Stardust, RocknRolla and Green Zone, Ian Murphy teaches the next generation of filmmakers. Here, he discusses his recent work with Skillset, co-authoring The Core Skills…
With her adaptation of Lionel Shriver’s We Need to Talk About Kevin wowing on the festival circuit, Lynne Ramsay reveals why making one of the year’s best films was far from easy.…
With urban sci-fi Attack the Block, Joe Cornish served up one of the best British films of the year; not bad for his directorial debut. Here, he walks us through his phenomenal journey, and explains…
British composer Benson Taylor has been steadily making a mark on Hollywood, his music being heard in a huge array of TV shows and film trailers—and even the Super Bowl. Here, he describes his amazing…
Having worked as a casting director on films as diverse as KING KONG, UNITED 93, THE BOURNE SUPREMACY and BURKE AND HARE, Dan Hubbard is responsible for matching the right actor to the right role.…
