For our Women in Film issue, Sightseers co-writer and star Alice Lowe discusses the importance of creating strong female characters.…
Iconic producer Gale Anne Hurd (The Terminator, Aliens, The Walking Dead) discusses being a strong woman in Hollywood…
Directors of photography Eve Hazelton (The Underwater Realm) and Kate Reid (Blooded, Scrubber) discuss their experiences of working across a range of features and camera platforms, and why gender does not matter when you get…
With films like London to Brighton, The Cottage and Cherry Tree Lane, writer/director Paul Andrew Williams has become one of Britain’s most exciting new filmmakers. Here he gives us an exclusive—and honest—insight into his screenwriting…
As co-founder of Fourth Wall Studios, creator of Primetime Emmy® winning original series Dirty Work and this year’s Power to the Pixel Cross-Media Forum’s keynote speaker, Sean Stewart is one of the most experienced cross-media…
Drew Jones, VP of feature FX at Method Studios, the London outfit who created the effects for the likes of Seven Psychopaths, X-Men: First Class and Wrath of the Titans, writes about how his team…
The writer-director explains why he will stop at nothing to get the right aesthetic, even if it means shooting in 65mm. …
Five years of planning has gone into the V&A Museum’s epic Hollywood Costume exhibition, which celebrates the multi-faceted role of costume design throughout movie history. Here, curator Deborah Nadoolman Landis takes movieScope’s Chris Laverty on…
The Danish director explains why he’s returning to the controversial subject matter of 1998’s Festen, in which a father is accused of molesting his children, with The Hunt, which stars Mads Mikkelsen as a teacher…
As the director of Down Terrace, Kill List and Sightseers, Ben Wheatley is carving out a career for himself as one of the UK’s most exciting independent filmmakers. During a short break from finishing his…
