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Home » Archives by category » Insider’s P.O.V (Page 2)

New Horizons – Producers Claire Jones & Anna Higgs on the release strategy for ‘A Field In England’

Ben Wheatley’s new film A Field in England chalked off a UK distribution ‘first’ when it was released in cinemas, on DVD, across VOD platforms and on Film4 on the same day in July this…

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Depth Perception – filming scenes for Under The Skin

The Underwater Studios in Essex has played host to numerous shoots for commercials, television and films. Tom Seymour was invited to watch the filming of scenes for Jonathan Glazer’s Under the Skin, and discovered a…

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Kevin Howarth: Into the Light

Most recently seen as psychopathic pimp Viktor in The Seasoning House, Kevin Howarth has become Britain’s go-to guy for nuanced villainy.  But, as he explains to Anton Bitel, it’s the lighter roles he craves……

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Shake It Up: Matthew McConaughey

Having made his name in romantic comedies, Matthew McConaughey has taken a rather different path in recent years, with films like Killer Joe, The Paperboy and Mud, in which he plays the titular fugitive who is…

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Mat Newman: Shaping Only God Forgives

Having worked on Nicolas Winding Refn’s Bronson, Drive and Only God Forgives, editor Mat Newman has developed a unique style all of his own. Here, he tells movieScope why he relishes bringing such creative visions…

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The Culture of Colour: Diane Kuo – Digital Colourist

The cultural importance of colour when conveying story, feeling and meaning.…

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Justin Nappi: Producer

Despite his young age, producer Justin Nappi is already forging a successful career with projects like Arbitrage, At Any Price and Adult World. He explains why it’s so important to take a hands-on approach when…

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Scott Walker interview [audio]

We talk with New Zealand-born writer-director Scott Walker about his debut feature The Frozen Ground, a serial-killer drama based on a true story, the research involved, and how he got to work with Nicolas Cage,…

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Filmmaker Richard Jobson On Working in the Cloud

British filmmaker Richard Jobson explains why Adobe's Creative Cloud helped him retain full creative control of new movie Wayland's Song…

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Scott Ross interview extract

In light of the article written by Mike Figgis for The Observer on 24/6/13, which also appeared on The Guardian website, berating the current state of the British film industry, we thought it would be…

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