As big-budget action extravaganza Battleship blasts into cinemas, the film’s producer Sarah Aubrey tells us why she loves the challenge of working on such masculine fare. …
Ralph Fiennes steps behind the camera for the second time today as shooting begins in London on The Invisible Woman, a drama about the decade-long relationship between Charles Dickens and his mistress Nelly Ternan.…
Throughout his illustrious career, producer Tarak Ben Ammar has been a passionate advocate for filmmaking in the Middle East. With his latest, Black Gold, he hopes to bring even more attention to the talent of…
As co-founder of Vertigo and producer of many of the UK’s recent indie hits, Allan Niblo tells us why it’s never been a better time for British filmmaking……
Having made his name with The Usual Suspects, filmmaker Bryan Singer has proved he has the golden touch when it comes to blockbuster franchises. His winning streak continues with X-Men: First Class, on which he…
After over 30 years in the business, and with 100 Hollywood films under his belt, producer Ashok Amritraj has seen it all; from the highs of RAISING HELEN to the lows of BATTLEFIELD EARTH. Here,…
Donall McCusker, producer of Kathryn Bigelow’s Oscar Winning drama, THE HURT LOCKER reveals why filmmaking can be a war zone.…
Back in 2009 we interviewed Iain Smith for movieScope magazine issue 13′s ‘Insider’s POV: PRODUCING’ column. 18 months later, Smith was appointed Chair of the British Film Commission. His insights are as enlightening now, as…
When Doug Claybourne asked Francis Ford Coppola to give him some work experience, he ended up embroiled in the mammoth production that was APOCALYPSE NOW. …
Gub Neal, former head of drama at Channel 4 and controller of drama at Granada (where he co-created CRACKER and won an Emmy for PRIME SUSPECT), tells us why his new independent production company, Artists…
