Reviews

Blog Reviews

Sightseers Review – movieScope

Ben Wheatley’s Sightseers plays like a ‘deliciously dark mash up of Bonnie and Clyde meets Carry on Camping,’ writes Nikki Baughan

ICO’s Autumn Screening Days previews 25 indie films in Bradford – movieScope

The Independent Cinema Office’s Autumn Screening days, a weekend of future film screenings funded by the BFI, screened 25 upcoming independent releases to an audience of 162 representatives of the independent film exhibition sector.

Avengers Assemble Review – |

REVIEWED BY: Richard Preston RELEASED: April 26 Tweet The superhero origin story is now tried, tested and tired, but the super-team origin

Blog Reviews

The Power Of Documentaries – |

Over the last decade, the documentary has grown in popularity and impact, affecting social and political change, as well as introducing audiences to ca

Blog Reviews

Review – Side by Side – movieScope

Released: February 15, 2013 Reviewed By: Nikki Baughan Tweet Over recent years, evolving digital technologies have changed the face of filmm

Blog Reviews

Stand Out From The Crowd – Part 5 – |

Screenwriters Can Benefit Too Raoul Tawadey CEO / Founder, Circalit Tweet Circalit offers screenwriters everything they need to take their script f

The Scouting Book For Boys Review – movieScope

Although James Cameron’s mega-budget Hollywood behemoth Avatar has been dominating column inches over recent weeks, the rest of 2010 is shaping up to b

Blog Reviews

Universal confirm Ted sequel and new Bourne film – |

Universal Pictures have confirmed they are to make a sequel to Seth MacFarlane’s Ted as well as a fifth film in the Bourne franchise.

Lawless – Review – |

John Hillcoat’s Lawless is a ‘visceral, gritty and unexpectedly endearing family portrait’, writes Nikki Baughan

Blog News Reviews

Scientology influenced film The Master breaks art house record on its American release – movieScope

Paul Thomas Anderson’s new film The Master, which is influenced by the mysterious religion of Scientology, made $242,127 from five theatre screens in New York and Los Angeles on its release last Friday, the most money taken in a single day for an art house film.