The Pool is a beautifully gentle piece of storytelling, driven along by natural, unaffected performances and lean, nuanced narrative, writes Hugo Wilkinson.…
Tom Seymour reviews Jason Becker: Not Dead Yet, a film about a man on the verge of greatness, and the illness that tried—but failed—to snatch his life away.…
Last week the Aubin Cinema, Shoreditch, hosted a special Halloween edition of Edible Cinema, a unique culinary screening of Tim Burton's Beetlejuice with drinks and food served throughout - designed to taste, smell and feel…
Excision writer/director Richard Bates Jr. is the exciting new face of disturbing, demented psychodrama, writes Anton Bitel.…
Call Me Kuchu illuminates simply because of the power of the story told and the lives documented, writes Simon Edwards.…
Paul Thomas Anderson's The Master is "a film that sparks a strong reaction, that gets into your head, that keeps you thinking and that sparks passionate debate and discussion" writes movieScope editor Nikki Baughan.…
Room 237 plays on the oft-reported obsessive nature of Stanley Kubrick by taking a macro lense to his films, writes Simon Edwards.…
Released October 12, 2012 Reviewed by Nikki Baughan Tweet That it’s taken over three decades to bring Jack Kerouac’s generation-defining novel to the screen will come as little surprise to anyone familiar with the book;…
Guy Maddin's twisting haunted house noir is both frustrating and compelling, writes Nikki Baughan…
John Hillcoat's Lawless is a 'visceral, gritty and unexpectedly endearing family portrait', writes Nikki Baughan…
