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The Call – Review

The Call benefits from 'solid performances from Berry and Breslin, together with some slick, intimate visuals from cinematographer Tom Yatsko,' says Nikki Baughan…

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Insidious Chapter 2 – Review

Insidious 2 proves ' far bolder and more ingenious than your average sequel,' says Anton Bitel …

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The Great Hip Hop Hoax – Review

Documentary The Great Hip Hop Hoax is both 'amusing viewing' and 'a cautionary tale about the fame monster,' says Katherine McLaughlin…

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Jadoo – Review

With Jadoo, director Amit Gupta has 'drawn on his personal experiences to create an intimate and heartfelt look at life in the British Indian community' says Nikki Baughan…

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Shane Carruth Talks Upstream Colour

Eight years after his blistering debut, Primer, writer/director Shane Carruth returns with his follow-up Upstream Colour. Here, the filmmaker tells James Mottram why funding, making and distributing a film outside of the system was such…

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Upstream Colour – Review

Its 'disorienting, dreamlike quality is one of the key pleasures (and frustrations) of Upstream Colour,' says Anton Bitel…

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You’re Next – Review

'Full of black humour,' You're Next is 'deep-piercing social satire,' says Anton Bitel…

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What Maisie Knew – Review

What Maisie Knew is 'one of the year's most heartbreaking, compelling films' and 'an absolute must-see,' says Nikki Baughan…

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Lovelace – In Conversation

movieScope Editor Nikki Baughan and critic James Mottram discuss Linda Lovelace biopic Lovelace, which stars Amanda Seyfried in the title role…

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Kick-Ass 2 – Review

'Thanks to a weighty real-world mentality, superhero sequel Kick-Ass 2 falls over itself at every turn', says Nikki Baughan…

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