Comments for movieScope Magazine http://www.moviescopemag.com Movies From An Insider's Point Of View Thu, 26 Jan 2012 04:40:44 +0000 hourly 1 http://wordpress.org/?v=3.2.1 Comment on The Woman in Black by maria http://www.moviescopemag.com/reviews/theatrical/the-woman-in-black-film-review/#comment-1109 maria Thu, 26 Jan 2012 04:40:44 +0000 http://www.moviescopemag.com/?p=2725#comment-1109 Can't wait to see this scary movie with Daniel Radcliff, I'm sure it'll be better than The Devil Inside. Can’t wait to see this scary movie with Daniel Radcliff, I’m sure it’ll be better than The Devil Inside.

]]> Comment on Jane Goldman – Super Scribe by The Woman in Black - movieScope Magazine | movieScope Magazine http://www.moviescopemag.com/insiderspov/jane-goldman-super-scribe/#comment-1106 The Woman in Black - movieScope Magazine | movieScope Magazine Wed, 25 Jan 2012 23:07:27 +0000 http://www.moviescopemag.com/?p=1877#comment-1106 [...] thanks to is its intimate scale and clever manipulation of universal fears. Thankfully, in Jane Goldman and James Watkins, the producers have found a screenwriter and director who appreciate and share [...] [...] thanks to is its intimate scale and clever manipulation of universal fears. Thankfully, in Jane Goldman and James Watkins, the producers have found a screenwriter and director who appreciate and share [...]

]]> Comment on The Woman in Black by Jack http://www.moviescopemag.com/reviews/theatrical/the-woman-in-black-film-review/#comment-1105 Jack Wed, 25 Jan 2012 22:19:25 +0000 http://www.moviescopemag.com/?p=2725#comment-1105 This takes place in XIX century, when people in their tweenties where already married and had kids, so Radcliffe is the perfect age for the role. This takes place in XIX century, when people in their tweenties where already married and had kids, so Radcliffe is the perfect age for the role.

]]> Comment on Kodak Ltd (UK) responds to U.S. Chapter 11 announcement by Tony http://www.moviescopemag.com/news/kodak-ltd-uk-responds-to-u-s-chapter-11-announcement/#comment-1061 Tony Sat, 21 Jan 2012 19:59:06 +0000 http://www.moviescopemag.com/?p=2747#comment-1061 It's business as usual TODAY. what about the next few weeks/Month's what about Kodak Harrow and all it's unused Land??? Please be open and honest please Kodak harrow needs to make an announcement. It’s business as usual TODAY. what about the next few weeks/Month’s what about Kodak Harrow and all it’s unused Land???
Please be open and honest please Kodak harrow needs to make an announcement.

]]> Comment on Phil Hawkins – One To Watch by Philm Company Announces New Slate - movieScope Magazine | movieScope Magazine http://www.moviescopemag.com/24-fps/one-to-watch/phil-hawkins-director/#comment-1040 Philm Company Announces New Slate - movieScope Magazine | movieScope Magazine Mon, 09 Jan 2012 14:54:37 +0000 http://www.moviescopemag.com/?p=2624#comment-1040 [...] the new slate from Philm Company, the independent film production outfit headed by writer/director Phil Hawkins. Upcoming projects include the comedy/drama Great Scott, an adaptation of Val McDermid’s [...] [...] the new slate from Philm Company, the independent film production outfit headed by writer/director Phil Hawkins. Upcoming projects include the comedy/drama Great Scott, an adaptation of Val McDermid’s [...]

]]> Comment on 2011 Angel Film Awards Announce Winners by Graham Rushton http://www.moviescopemag.com/24-fps/2011-angel-film-awards-announce-winners/#comment-869 Graham Rushton Sat, 17 Dec 2011 07:04:26 +0000 http://www.moviescopemag.com/?p=2617#comment-869 Looks great but sad to say no mention of screenplay winners. Looks great but sad to say no mention of screenplay winners.

]]> Comment on Transmedia – Bullet in the Glass by Transmedia Storytelling – Building Story Worlds [english] | Social Film Marketing BLOG http://www.moviescopemag.com/features/transmedia-bullet-in-the-glass/#comment-709 Transmedia Storytelling – Building Story Worlds [english] | Social Film Marketing BLOG Mon, 28 Nov 2011 14:46:25 +0000 http://www.moviescopemag.com/?p=1036#comment-709 [...] guess that „the industry has only scratched the surface of its potential.“ (Lance Weiler, Transmedia – Bullet in the glass, movieScope magazine, Issue 22 (May/June [...] [...] guess that „the industry has only scratched the surface of its potential.“ (Lance Weiler, Transmedia – Bullet in the glass, movieScope magazine, Issue 22 (May/June [...]

]]> Comment on Our Current Print Edition by Nathan http://www.moviescopemag.com/subscribe/print-edition/#comment-666 Nathan Thu, 17 Nov 2011 16:06:55 +0000 http://www.moviescopemag.com/?p=295#comment-666 Has the Nov/Dev 2011 issue come out yet? Has the Nov/Dev 2011 issue come out yet?

]]> Comment on Admin, Contact and Contributors by Chad King http://www.moviescopemag.com/contact/contributors/admin-and-contributors/#comment-664 Chad King Wed, 16 Nov 2011 23:19:19 +0000 http://www.moviescopemag.com/?p=311#comment-664 Hi, I am a freshman film student at Chapman University in Orange, CA. I am currently working on a formal essay about the editing in the film Slumdog Millionaire for a final project. As I was gathering research, I found the following article from MovieScope that sounds as if it would be extremely helpful: MovieScope Magazine (UK) June 2009, Vol. 3, Iss. 1, pg. 64-66, by: Athos Kyrus, "Cutting Alchemy with Chris Dickens" Unfortunately, my university's library has exhausted all of its resources and is unable to provide the article for me. I was wondering if you would be able to send me the June 2009 edition of MovieScope or an online version of the article. I would really appreciate your assistance. I will not be redistributing the magazine; I want to use it for educational purposes only. My address is: Chad King Chapman Univeristy One University Drive, #9357 Orange, CA 92866 Thanks for your time, Chad King Hi,

I am a freshman film student at Chapman University in Orange, CA. I am currently working on a formal essay about the editing in the film Slumdog Millionaire for a final project. As I was gathering research, I found the following article from MovieScope that sounds as if it would be extremely helpful:

MovieScope Magazine (UK)
June 2009, Vol. 3, Iss. 1, pg. 64-66, by: Athos Kyrus, “Cutting Alchemy with Chris Dickens”

Unfortunately, my university’s library has exhausted all of its resources and is unable to provide the article for me. I was wondering if you would be able to send me the June 2009 edition of MovieScope or an online version of the article. I would really appreciate your assistance. I will not be redistributing the magazine; I want to use it for educational purposes only.

My address is:
Chad King
Chapman Univeristy
One University Drive, #9357
Orange, CA 92866

Thanks for your time,
Chad King

]]> Comment on Sergio Casci – A Tough Call by A Dark David Lynch Monday | The Cinephile http://www.moviescopemag.com/features/sergio-casci-a-tough-call/#comment-557 A Dark David Lynch Monday | The Cinephile Mon, 10 Oct 2011 11:51:52 +0000 http://www.moviescopemag.com/?p=2299#comment-557 [...] Sergio Casci on The Caller: “I thought it would be difficult, but it wasn’t. Subplots and characters threw themselves at me. It was as if it was always meant to be a feature film and I’d only just realised it. Within a few months the new screenplay was finished and I sent it off. I won’t bore you with the pain of the next few years. We all know films are hard to get off the ground. Potential producers came and went. Drafts were written, rewritten, then written again. I gained weight and lost hair. But, eventually, someone somewhere flicked a switch, the green light came on, and we were ready to go.” [...] [...] Sergio Casci on The Caller: “I thought it would be difficult, but it wasn’t. Subplots and characters threw themselves at me. It was as if it was always meant to be a feature film and I’d only just realised it. Within a few months the new screenplay was finished and I sent it off. I won’t bore you with the pain of the next few years. We all know films are hard to get off the ground. Potential producers came and went. Drafts were written, rewritten, then written again. I gained weight and lost hair. But, eventually, someone somewhere flicked a switch, the green light came on, and we were ready to go.” [...]

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